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Papa John Kolstad and the Hot Club of East Lake
Wampus Cat Records, 2003
Papa
John introduces the Hot club of East Lake, an assembly of virtuoso players
firmly rooted in early blues, swing tunes, jugbands and jazz. Oriented
toward the small ensembles exemplified by Washboard Sam, Leroy Carr and
Django Reinhardt, their music gets its drive and rhythm from the guitars.
This creates an openness that allows the lead instruments to shine through,
from Clint's incredible soaring harmonica to Deano's "note bursts," to
Sam's big fat trumpet notes and Papa's guitar licks.
You might
remember Papa John Kolstad from his collaboration in the 70's with harmonica
player Mike Turk and their classic record Beans Taste Fine.
| # |
Song
Name (Composer) |
Time |
| 1. |
I
Was Always A Papa (Papa John Kolstad) |
3:01 |
| 2. |
Wee
Midnight Hour (Leroy Carr) |
5:47 |
| 3. |
I
Ain't Doin' Bad Doin' Nothin' (Joe
Venuti, Al Jarvis) |
4:59 |
| 4. |
Back
Door Man (Washboard Sam) |
4:06 |
| 5. |
Crowing
Rooster Blues (Lonnie
Johnson) |
3:58 |
| 6. |
Lady
Be Good (Gerorge and Ira Gershwin) |
4:12 |
| 7. |
You
Don't Mean Me No Good (Leroy
Carr) |
4:49 |
| 8. |
Out
With The Wrong Woman Blues (Washboard Sam) |
3:10 |
| 9. |
Lowland
Blues (William
Lee Broonzy) |
4:22 |
| 10. |
Flat
Foot Floogie (Bulee Gaylard, Bud Breen, Leroy Elliott Stewart) |
4:48 |
| 11. |
Autumn
Leaves (Joseph Kozma, John H. Mercer, Jacques Andre M. Prevert) |
5:24 |
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For information
on how to purchase any one of these CDs contact:
Clint Hoover
clint@clinthoover.com
| "This
CD is guaranteed to make you smile and get on your feet and start
shaking your principle and interest." |
| -Felien,
Pulse of the Twin Cities |
| |
| "Papa
John Kolstad's gibson dates back to 1935 and when it sings, it moans
the old stories of hobos hopping empty trains, grandparents recalling
slow dances in dusky bars, a man's first glass of self-made moonshine.
Teaming up with bassist/trumpeter Sam Fiske, jazz guitarist Dean Mikkelson,
and Encyclopedia of the Harmonica inductee Clint Hoover, Kolstad swings
through early blues, ragtime, bluegrass, and jug-band based tunes
like a Dorothea Lange slide show projector. Kolstad's six string was
built to carry that history, and Kolstad himself, a weathered, bearded
acoustic blues legend, could be the physical manifestation of his
guitar's long years." |
| -Melissa
Maerz, City Pages |
|